labingi

Sometimes you hit the end of a book and immediately think 'I'd like to read that over again' because there's some sort of big twist that you know will make you experience the whole thing differently, and sometimes you hit the end of a book and think 'I'd like to read that over again' not because of any Major Plot Reveals, but because the book is woven together in an interesting enough way that you want the chance to fully appreciate how all the pieces fit now that you've seen the full puzzle.

This second case was my experience with The Fortunate Fall, a cyberpunk novel from 1995 that came back into print last year and that I did not quite manage to read in time for the Readercon book club (so I extremely appreciate kate_nepveu's extensive notes on it including the intertextuality with Moby Dick.)

The book is narrated by Maya Andreyeva, a 'camera' -- a cyborg news-reporter modified to provide not just full sensory experience but also associated memories, context, etc. to the viewing public. When the book begins -- well, when the book begins, it has already ended, as Maya tells us; her whole audience has already experienced all the relevant events through her eyes, and now she's telling it to us again, in a narrative that she can control and that's on her own terms, contextualizing only what she wants to contextualize and hiding what she wants to hide. Which is a very fun way to begin a book, by consciously keying you into its distortions and elisions, and for the most part I think the text lives up to it.

Anyway, when not the book but the story begins, Maya has decided to put together a series commemorating the anniversary of a major [future]-historical tragedy, and has just gotten assigned a new screener for the project -- a sort of editorial figure who sits in between the camera and the audience, filtering out bodily functions and bad words and anything else that could be trouble for the network. Because of the amount of time they spend immersed in the heads of their cameras, screeners tend to become rapidly very enthusiastic and romantic about them! Maya's new screener Keishi is a beautiful and mysterious young woman who is, indeed, very enthusiastic and romantic about her! And definitely not keeping any secrets about her skills, her identity, or her reasons for being there working with Maya, no sir.

In true noir mode, Maya's initially normal-seeming historical research into a tragedy that's as long-ago and terrible and world-shaping for her as the Holocaust is for us ends up leading her increasingly out of the bounds of conventional society down a dangerous rabbithole, at the end of which lies forbidden knowledge about the world, forbidden knowledge about her own past, and forbidden knowledge about a really sad whale. And, following along with her, we as readers gradually start to piece together not only the particular dystopian shape of the world -- the parts that Maya already knows and the parts that Maya doesn't -- but also the shape of the story, the themes that it cares about and that have actually been driving the plot this entire time: embodiment, censorship, the atrocities we commit to end atrocities, and the power and beauty and absolute hard limits of queer love, just to name a few.

I don't know that everything about the book has fully aged well. I understand the well-meaning failure mode in cyberpunk that leads an author to posit a Monolithic Utopian Isolationist Africa when the rest of the world has gone to dystopian shit, but I think it is a failure mode. I also admit that I thought the entire grayspace digital-world sequence was a little bit boring. But for the most part the book is not at all boring, it's interesting in the way that only a book that actually trusts its readers to be doing an equal amount of work as they go is interesting. I did not in fact actually then read the book over again, upon hitting the end, because it was extremely overdue at the library [and I had five more equally overdue books on the pile] but I expect I will do so sometime in the nearer rather than the further future. Maybe I'll have the chance to hit another book club.