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The 1970’s TV show Emergency! is a treasure. If you want a reminder that society can be decent and humane, (re)discover it today. Emergency! follows the adventures of two paramedics (Roy and John) and the firefighters and hospital staff they work with. It’s low on plot, high on the specifics of various rescues and medical procedures, interspersed with human interest and light comedy. Though it is sometimes pulse-pounding, things almost always turn out okay and interpersonal conflicts are almost always slight. It’s a feel-good show about competent people doing their jobs with professionalism and compassion.

Below the cut are three things I especially like about Emergency! No spoilers to speak of; there’s not much to “spoil.” Read more... )
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(Note: written a couple months ago, but not posted till now.) I got myself embroiled in an online chat-based dispute about how to address certain racist stereotypes that were voiced in a community I’m part of. This has sparked a lot of self-reflection on how I approached it, and I wanted to share some of that here.

I’m going to skip specifics, but in short, a racist stereotype voiced by a person from the Global North was called out by a person from the Global South, who also asked for a larger organization-level response. That response—at least the first stage of it—came in the form of an email denouncing racist remarks with clear (though not explicit) reference to this incident.

I voiced the thought that singling out that one person in the email was not the best approach. This ignited further discourse, which I would sum up as critiquing me for centering the feelings of a person from the Global North over the needs, feelings, etc. of the people suffering harm in the Global South. In the course of this critique, I was asked why I was centering the feelings of the privileged, and over the past day or so, I’ve thought about that a lot.

There is not just one answer.

Part of the answer is that, as a person from the Global North, I am more empathetic to that positionality because it is closer to my own experiences, and so I default to showing more empathy for that positionality. That is not a good reason, and—with no good excuse—I did seriously misread the social situation of that chat, in that I did not properly take into account the compounded harm to my comrades from the Global South. From that perspective, anything that further decentered their already marginalized voices intensified the harm to them, and I should have seen that and responded differently.Read more... )
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I’ve been quiet about this season because I’ve really been enjoying it, and critique inspires more words than praise. I love Ncuti Gatwa’s Doctor. As inherently tired as I am of contemporary, young, London woman companions, I really like Ruby, too, and I’m enjoying the stories themselves more than any season since the Tenth Doctor. But I do have a few thinky thoughts about the handling of race in the last two episodes: lots of praise, some frustration, and some hypothetical suggestions.

Spoilers below the cutRead more... )
labingi: (ivan)
I just finished season 1 of Foundation, and it's inspired meta in me. Rather like with ST: Discovery season 4, Foundation left me feeling like I was watching (at least) two shows: one that was spectacularly good science fiction and one that okay-ish. I'm bursting to write a gushing fannish essay about the good show, but I'm going to make that my reward for starting out with the okay-ish, and to do that, alas, I need to address "wokeness." Because my discontents with Foundation land along its arguably "woke" female hero. Moreover, it's not just Foundation. Frustration with "woke" women heroes is a pattern for me, and that bothers me because I consider myself progressive. I want to have better representation in media. I want to see diversity celebrated. I agree we've had far too many white male heroes in our narratives. So why do my frustrations so often align with those of more conservative folks? I want to do a meander through some things I see going on, both in me and in our society.

Disclaimers: This essay ended up not really discussing men of color. There's much to say; it just ended up being a bit too much to tackle in one essay. This essay is also very much about my personal response as a viewer; others' will vary.

(Major spoilers for Discovery and Babylon 5, minor spoilers for Foundation, Star Trek: TOS, possibly others)Read more... )
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In honor of Martin Luther King Day, this seems a good time to review James Baldwin's The Fire Next Time (1963). I recently read this book after having somehow missed Baldwin all my life and found his discussion of race relations in America brilliant. It should be standard reading in all American high schools. The book comprises two essays: a short letter to Baldwin's nephew giving advice on how to weather life as a young African American man and a long discourse on race relations with extensive personal examples. Along the way, he addresses his own conflicted youth, the Holocaust, the Cold War, school integration, and the Nation of Islam movement of Elijah Muhammad, among other social and historical moments.

I feel ill qualified to comment on the book but will venture a few observations. Baldwin was ahead of his time and--at least as far as mainstream discourse of the white hegemony goes--is still ahead of ours. His discussion of the blindness of white privilege (though he doesn't use this term) feels right out of contemporary racial discourse.

But Baldwin's challenge runs deeper than exposing power relations and demanding they be acknowledged. He is correct that the dominant discourse on race in the US (he is mainly concerned with African Americans and whites) frames the problem as the need to elevate black people to the status of white people. If black people become as socially mobile, wealthy, professionalized, well represented in various fields, etc. as white people, goes the argument, then the task of integration will have been accomplished. As far as I can tell, this is still the dominant discourse fifty years after Baldwin's book. Read more... )
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This article on white guilt in heroic fantasy narratives is interesting. In a nutshell, it criticizes the trope of the white person "going native" in order to help the oppressed POC and then rocketing to success as leader of the POC from the inside. There is, indeed, much to criticize about that trope.

So I feel myself walking into it, and if I can, I want to preempt that (or at least seek an outside opinion). I have a plan (in early development stage) for a web show set in my science fiction universe but using a Buck Rogers/Farscape tactic to send a 21st century Everywoman to the distant future. As it stands, my Everywoman is white, she is one of the only white people in the cast, and she does get the big revelation that is a substantial part of saving the day. Ergo, conspicuously white "relatable" character becomes hero who figures out salvation for POC.

Thing is, I'm not sure what to do about it. Here are some considerations that led to this racial state of affairs.

Read more... )
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"On Race in The Hour before Morning"

or

"My Attempt to Beat My Critics to the Punch"

Being totally unqualified to speak to RaceFail, I've been reading with interest and avoiding sticking in my oar. Here, however, is my very tangential contribution, a rumination on my own creative mazes.

I'm making a science fiction movie. I don't know if it will be good or bad, but I know this: if more than ten people ever see it, at least one of them will observe that it's got the black people oppressing the white people. The following is my explanation of how I arrived at this predicament, with some comments on what I'm striving to do about it.

Read more... )

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