labingi: (Default)
I’ve been compiling a mental list of favorite pairings for years, and I thought I’d write some of it out. We can also make it a “meme”: I’d love to see your list linked in the comments!

What I mean by a “love pairing”: two people who come to love each other so deeply that this relationship is pivotal to their lives. I’m a friendship bonder, and I’m not distinguishing between sexual and non-sexual love. I am leaving out literal and metaphorical close family relationships (parent-child, siblings). Expect big spoilers (like character death & ending) for any story mentioned. Below the cut are some favorite picks, some ranked, some unranked, with explanations.ExpandRead more... )
labingi: (ivan)
I just finished season 1 of Foundation, and it's inspired meta in me. Rather like with ST: Discovery season 4, Foundation left me feeling like I was watching (at least) two shows: one that was spectacularly good science fiction and one that okay-ish. I'm bursting to write a gushing fannish essay about the good show, but I'm going to make that my reward for starting out with the okay-ish, and to do that, alas, I need to address "wokeness." Because my discontents with Foundation land along its arguably "woke" female hero. Moreover, it's not just Foundation. Frustration with "woke" women heroes is a pattern for me, and that bothers me because I consider myself progressive. I want to have better representation in media. I want to see diversity celebrated. I agree we've had far too many white male heroes in our narratives. So why do my frustrations so often align with those of more conservative folks? I want to do a meander through some things I see going on, both in me and in our society.

Disclaimers: This essay ended up not really discussing men of color. There's much to say; it just ended up being a bit too much to tackle in one essay. This essay is also very much about my personal response as a viewer; others' will vary.

(Major spoilers for Discovery and Babylon 5, minor spoilers for Foundation, Star Trek: TOS, possibly others)ExpandRead more... )
labingi: (Default)
(Light spoilers for Banana Fish)

I love a lot of things about the manga Banana Fish, and one of them is the fact that it's set in the USA. I particularly enjoy that the character of Ash, like me, is white American. The reason is basically this: a character like Ash helps me spring free of imaginative false dichotomy between American Exceptionalist master narratives and their Jungian mirror: that we (especially white) Americans suck. Americanness in Banana Fish represents neither of these things.

The United States is a country founded on denial. Its existence is based on slavery, racism, dispossession, genocide, and ecocide, yet to this day, it has not apologized for most of this or even acknowledged much of it. It desperately needs a Truth and Reconciliation Commission but is nowhere near having the internal cultural pressure to get one. Instead, the mainstream culture continues to trumpet the idea that the US is a beacon of democracy and opportunity and the greatest country in the world. Though the US, in my view, does deserve some credit for being a trailblazer of modern democracy, at least today, none of those things is true.

Like anyone in denial, the US collective conscious overcompensates. In popular action narrative, this typically means that the white American hero is set up as the hero savior of the world. Though there are many exceptions to this, it's persistent enough to be powerful trope. Historically, figures like Superman and Captain America come to mind—and, yes, I know both these characters have been widely reinvented and nuanced, but the originary images still hold iconic power. Captains Kirk and Pike are in this mold. (I like them both, but they fit that mold.) Buck Rogers. Pick your John Wayne character. (Light spoilers follow for Farscape and heavier spoilers for Babylon 5, only in the next paragraph.)ExpandRead more... )

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