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I just read this excellent overview of the evolution of fandom community over the past two or three decades by [personal profile] mxcatmoon (via [personal profile] princessofgeeks). And I want to add my own two cents about what I think has changed and online society might improve some of it.

I agree with mscatmoon's analysis completely: the early(ish) web of the late 1990s through approximately 2007 was a glorious ten or so years for online fandom. Beginning with mailing lists and flowering into discussion forums, fan websites, and the glory days of LiveJournal, there was a beautiful burgeoning of world-wide community oriented around love of particular fandoms (shows, books, etc.). These communities largely shared fan fic and discussion ("meta," God I miss that word), along with some art, icons, fan vid links, etc.

Here are some of the common characteristics that made it work and how they've changed:
1. The posting structure (except for fan websites) was egalitarian rather than hierarchical. There would likely be a moderator, but every member could post or comment, and every post and comment was displayed equally, usually chronologically. In today's hierarchical model, one "important person" (celebrity, successful blogger, influencer, etc.) posts and others like, share, or comment. The result is that what felt like a group of friends talking has become more like an audience clamoring for attention from the famous person--or simply a one-way article, as in most print media.

2. Because popularity was less important to being heard, conversations could be more diverse and open. When scoring likes and hits is a prerequisite to having a voice, there's a vested interest in doing things a broad audience looks for. I think this is partly why search results for shows are so dominated by reviews of episode 1. When scoring big is not needed because you have a small, cozy, engaged audience, there's more freedom to say what you want, not least because the odds of being trolled are less. This freedom allows interesting discourse: fan essays on what Character X's childhood was probably like.

3. The internet used to be more text based, less image based. This is probably a generational woe. The younger folks seem to prefer imaged based, and that's valid. But a necessary corollary of it is that less is said. You can't image an essay about X's childhood with the same nuance you can write it. So there's less discussion, which means less interrelation among people and fewer ideas to share.Read more... )
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The Big News: I'm switching from a quarterly newsletter to a monthly author newsletter. It will still cover lots of utopia stuff. Read the full newsletter HERE.

Also in this issue:
* Free ebook giveaway in September for Arthur Smid's techno-utopian sci-fi novel, You Will Win the Future.

* Indie book sale, featuring my sci-fi novels Perdita and The Hour before Morning Sunday, Sept. 8, 11 a.m. at Kairos Milwaukie Church near Portland, Oregon, an open and affirming progressive church: 50% of proceeds to benefit church.

* I have a lovely new website design, featuring this great photo by Nate Rayfield.

Tree on Lake by Nate Rayfield
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What are your views on terraforming? Should we? Can we?

In my last Workable Utopias newsletter, the feature article discussed the advisability of writing terraformed worlds in SF. This newsletter, I continue the theme with reflections on terraforming in real life.

I would love to hear your thoughts in the comments.

Terraforming - Part 2: Thousand-Year Thinking
Last newsletter, I recommended Kim Stanley Robinson’s novel Aurora, specifying I was only part way through it. Now that I have finished it, I recommend it with boundless enthusiasm! Mind you, it is not the perfect novel, but it is philosophically compelling. And it leads me to part 2 of my discussion of terraforming. Vague spoilers for the novel follow (so vague I'm not bothering to cut for spoilers).

In Aurora, the author who rocketed to fame by writing about terraforming Mars argues that we should give up terraforming. Aurora tells of an intergenerational ship on a mission to colonize an “Earth analogue” planet about 11 light years away. This task proves incredibly hard in numerous ways. Meanwhile, Earth, even ravaged by climate change, is much nicer.

One thing this novel captures brilliantly is scale. Robinson argues that terraforming a planet, while not necessarily impossible, would be the work of millennia. At one point, the ship’s crew run computer simulations that suggest timeframes running from several hundred to tens of thousands of years, with the median projections in the thousands. Of course, Robinson’s projections are made up, but they do reflect something of the massiveness of having to generate atmosphere, seed soil microbes, etc., for a whole world—if we ever figure out how to do that, if we can survive in artificial environments for the number of generations it would take to create an Earth-like biosphere.

For reference, our earliest written records, such the Epic of Gilgamesh, go back about 5000 years. So if we were to successfully terraform a planet, we would need to undertake a single, coherent task likely lasting at least as long as all of recorded human history. Is this impossible? I would argue… no. Very unlikely to succeed, yes. Much more likely we’ll die out first, yes. But not impossible and worth pondering.

What kind of civilization might actually do this? Here’s a conundrum. Looking at human societies thus far, the only societies that seem capable of this kind of very long-term continuity and sustainability are indigenous. Yet indigenous societies are perhaps the least likely to want to do this. They are, by definition, the societies most bound to Earth, with the deepest roots in particular Earth places. (For an excellent exploration of what it means to be indigenous in space, see Drew Hayden Taylor’s short story “Lost in Space” from Take Us to Your Chief.) Leaving aside physical concerns, could an indigenous—or heavily indigenous-influenced—society psychologically persist for dozens or hundreds of generations in ships, domes, etc. without losing itself, without dying of dislocation? Could any human society? And is a worldview that is primarily circular and sustainable even compatible with the mindset required to systematically move forward with the technological progressionist venture of terraforming?

The practical answer—and the answer Robinson gives—is save the Earth! It is our only realistic home and hope. But as we consider what kind of future we would like to leave for our descendants, I think it worth contemplating how the indigenous and progressionist might intersect (or not), how the traditional, the ancient might inform the science of the future. One thing is sure: the modern world needs to change our sense of scale. Whether terraforming other planets or navigating the terraforming adventure we have already begun on Earth, we need to (re)teach ourselves to be people of the millennia.
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The Audacity of Hope (Redux)
Or What’s Your Vision of a Good Society?


(From my fall Workable Utopias newsletter, which you can sign up for here, just four emails/year.)

This issue, I had planned to talk about solar punk, an emerging sub-genre of science fiction focused on worlds that use green technology. To educate myself, I picked up one of its earliest exemplars, the Brazilian anthology Solar Punk: Ecological and Fantastical Stories in a Sustainable World edited by Gerson Lodi-Ribeiro (2012, English translation 2018). Yet in this volume, which advertises itself as “envision[ing] hopeful futures and alternate histories,” I found utopian desires thwarted. Thus, this is a more downbeat feature than I had intended but one, I hope, with a positive call to action.

The stories in this volume do engage with alternative technologies, some in very creative ways, and some depict worlds that have solved or avoided some of our current socio-ecological problems. I loved the stories that gave a strong voice to indigenous traditions. But of nine stories, only one, Roberta Spindler’s “Sun in the Heart,” seems to me to depict a social order that is not significantly unhealthy, and several stories are frankly dystopian. The societies presented are mostly mired in the typical problems: war, violence, overpopulation, resource scarcity, and politicking. The tone is perhaps best summed up by the title of the first story, Carlos Orsi’s “Soylent Green Is People!”

Now, as I’ve said, this is an early solar punk volume. As I continue to research solar punk, I have high hopes I will find a more utopian bent emerging. Nonetheless, this collection fits uncomfortably into the general state of worldbuilding in genre fiction today, which is to say, the nature of our ability to imagine the future.Read more... )

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