labingi: (Default)
The Joys of Science Through SF at Portland State

I lucked out when Portland State physics professor Jay Nadeau needed someone to replace her as instructor for Science Through Science Fiction and, amazingly, I got the gig! Going into the second of week of class, it is super fun with a diverse group of students whose majors range from biochemistry to theater, all united by enthusiasm and insight into how science operates in our society as seen through the lens of science fiction. Right now, we are looking at Kim Stanley Robinson's Aurora, which I've praised here before. Here's where I get utopian: this class really gives me hope for what people can do when different talents and interests get together to do good.
labingi: (Default)
Just before the record heat struck, my family and I spent a few days in Paris so that I could attend and present at a lovely conference on the Legacy of Ursula Le Guin in the Anthropocene. The conference was wonderful! A diverse group of fascinating folks with a range of insights and experience with Le Guin’s work. I may write about it more, but for now, I want to write about my glancing experience of Paris.

Being at the conference, I didn’t see much—less than my family, who did more of the tourist things. My experience consisted mainly of the trek—about 30 minutes by foot—from the apartment we rented at Les Patios de Marais [?], just over the Seine, to Saint-Michel, where the university stuff congregates. (Passed close to Notre Dame and can report it looks superficially less damaged than I had thought it was.)

Now, the Les Mis fan in me could not be more pleased at being largely situated in Saint-Michel. It meant a great deal to me to imagine that I was walking the same streets and even sitting in a building that the ABC (or their real-world counterparts) might have frequented in their studies. The stone stairway to the classrooms is so old that centuries of feet have worn depressions in the stairs. College changes but doesn’t change. The lecture hall they held the conference in had execrable acoustics, tiny wooden benches, and intricate, almost stained-glass windows. And it struck me more than once sitting there how there was a time when women would not have been allowed in, much less allowed to present our papers. Times change. Attending a lecture is still attending a lecture.

Saint Michel Statue, Paris


Out on the sidewalks, I felt both completely overwhelmed and beautifully anonymous. Walking the streets of downtown Paris is a cross between a dance and an obstacle course. People weave in and out around each other constantly, never looking at each other or acknolwedging each other, except by the bare fact of their adjustments to avoid collision. There doesn’t appear to be any fixed rule, like “walk on the right,” and perhaps this is due to the internationality of the city? Too many people are perpetually strangers for specific codes to pertain? This is one of the cosmopolitan and diverse spaces I’ve ever been in. The streets team with people of all ages, races, socioeconomic levels. I have rarely felt so completely inconspicuous—something I somehow did not expect for being an American in a foreign country I really know very little about. This all contributed to my feeling quite safe, safe in the sheer crowd of the anonymous everyone minding their own business. (It also helps that the city is not especially poor. There are homeless people, and more at the outskirts of town, but far fewer than we see daily on the streets of downtown Portland here in the US. The overall population looks healthier too: almost no one was obviously dirty; I saw one person missing a leg, a much smaller proportion of people with missing limbs than I see at home. Uh, vive l’Amérique?) I would not have been comfortable going out alone at night, but in general, I felt perfectly secure on my daily conference walk.

The city, of course, is old to my West Coast American eyes. I live in a city where few buildings are much more than a hundred years old. There I was surrounded by edifaces many of which are from the 18th century or earlier, curiously mixed up and repurposed with modern buildings or remodelings: very sand-colored and ornate. And the sidewalks of the side-streets are bizarrely narrow to my eyes. One person can fit on them. Any time people pass each other or walk in groups, someone in is in the street. Thankfully, those side-streets are quite low traffic. They seem mainly the purview of delivery vehicles and motorcycles—so many motorcycles, which makes sense in the general traffic snarl. Not for the world would I attempt to drive in Paris. The traffic reminds me a great deal of Port-au-Prince, Haiti (with fewer potholes).

I don’t remember it as being loud. It wasn’t quiet: cars roarded past on the main roads and honked rather more than they do in the US, less than in Haiti. But the people were quiet, often chatting on their phones but in quite low, conversational voices. On the whole it felt chaotically well ordered—and exhausting, every time I set foot in the street. Nowhere to stop, nowhere to rest, even the parks teeming with people. I am not a city person.
labingi: (Default)
I've been so remiss with DW. It's due to being overwhelmed with real-life work. But here's a brief rundown on stuff.

Been Watching...
Star Trek: Discovery and wish I had time to do a post, and may make time. I both enjoy it and don't really like it. Yet we're paying to watch it, and may even pay if it gets a season 3.

Game of Thrones: Three episodes in and I'm enjoying this season more than the last. Still not what it was, but much more engaging than S7. I'm glad it's back for a little longer.

Sapphire and Steel (rewatch): My partner has never seen it before, so that's fun. I had forgotten how much I love this sort of X-Files precursor show. My mom once described it as "soporific" and I think that's kind of fair, but I love sitting back and watching it go through its very slow paces, a bit like 2001 (only in the sense of pacing). The titular leads are the heart of the show and so great.

Russian Doll: Partner had to cajole me into this one, because I'm a stick-in-the-mud and tend to be unenthusiastic about new stuff, but this is an amazing show! The nearest comparison I can make in terms of "genre" is The Prisoner. Their metaphors, societies, and mise en scène are very different, but I think their underlying psychological purpose is kind of the same.

Been Reading...
Tons of stuff for the science fiction class I'm teaching.

The Left Hand of Darkness umteenth reread: I still love this book; it will always be one of my favorites, but doubtless informed by the paper I'm writing on Le Guin for a conference, I keep seeing the white privilege, which is interesting--never saw it before. I'm also noticing its age more (of course, it keeps getting older). Also noticing the craft more, including bits that feel rather heavy handed. Still love it though. Still a work of genius. Still needs to be made into a TV series, which they keep threatening to and then not.

Short stories: highlights include...Read more... )
labingi: (Default)
My sci-fi short The Eater is done. It's up on YouTube as a full film and as four webisodes. I fulfilled my (tentative) New Year's resolution to complete it. All in all, it took about five years. It's definitely microbudget and, yes, in at least one spot the boom is in. But I'm reasonably happy with it.

Embedding webisode 1 for anyone who wants to invest a bit under 4 minutes to see if they'd like to invest more. The full film's about 23 minutes.

labingi: (Default)
This is an edited version of my Christmas letter to friends and family. I send it out with the warmest thoughts to you on DW too:

I hope you are getting some rest and chance for reflection and fun this season. It's funny; when I sat down to consider what family news I should write about for 2018, my first thought was "nothing much happened," although this was the year my dearly beloved father passed away--and our family moved to a new house. Nothing much happened… Well, a lot happened. I think what didn't happen was rest. This year has been like two full-time jobs with almost no cessation. What didn't happen was time to experience it all. And so I do sincerely hope you are all finding rest.

As to news, my father did pass away in January at 84. After a short, steep decline, both mentally and physically, he took a fall and died painlessly of a brain hemorrhage. It was his time, and it was a good way to go. My grief for him—and I think, in different way, my mother's too—has been a slow affair, mild but deep, of living into the reality of his absence. It's been a journey away from the day-to-day worries of caring for him and back into fond recollections of all he was and all we shared. (My parents were married for 53 years!) He is and will be missed. My mom is now 82 and doing well.

And, yes, we also moved. We are now living with two housemates: my son's best friend and his mom. They are good housemates, though with five introverts and one extrovert (my daughter) in the house, we do all feel the crowding. For now it's working to help everyone with expenses, and it also kept the boys in the same school when we moved.

One creative item of note: last January I made a New Year's resolution to finish my short film The Eater (begun in 2013). As I write this, that has not quite happened, but bar unforeseen glitches, I am probably about three hours of work away from it, and I anticipate having fulfilled that resolution, a little to my own surprise! I plan to show it locally and release it on YouTube.

If anything else was notable this year beneath the daily grind and news, I think it was the year I learned (began to learn) to live with climate grief, the year I turned a corner into realizing that I will watch much of the world I love die, as my father died, and that simply is. It is a thing to live with. I find often in my head these days Tennyson's words from "Ulysses":

Tho' much is taken, much abides; and tho'
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are…

I wish you well, wherever your journey is taking you. I wish you hope in troubled times. I wish you rest and beauty. Reach out if I can help you; I am here.
labingi: (Default)
I don't know if I've ever been so pleased with the voting of my fellow Oregonians in the 16-ish years I've lived here. They pretty much came through with sanity across the board:

* re-elected Kate Brown, our Democratic, on-the-whole pretty awesome governor.

* voted to keep Oregon a sanctuary state (not to use police to pursue undocumented immigrants who have not otherwise broken law).

* in a rare moment of not being taken in by the word "taxes," rejected the really vicious attempt to require a supermajority for virtually all state revenue measures, which would have pretty much bankrupted the state forever if it had passed.

* voted to raise property taxes to fund affordable housing. Now, I will feel this--a little--as a Portland property owner--my property tax is already over $7000, but that seems a minor complaint next to getting people housing. I'm glad we're seeing movement on this.

* and my fellow Portlanders... you voted for the clean energy tax!!! You voted for it big!!!

Nationally, I'm really pleased and relieved about the House, of course. Bummed about the Senate, but more Republicans will be for re-election and have seats to defend in coming years. On the whole, the good news outweighs the bad, and it feels like a long time since that's been the case.
labingi: (Default)
The Audacity of Hope (Redux)
Or What’s Your Vision of a Good Society?


(From my fall Workable Utopias newsletter, which you can sign up for here, just four emails/year.)

This issue, I had planned to talk about solar punk, an emerging sub-genre of science fiction focused on worlds that use green technology. To educate myself, I picked up one of its earliest exemplars, the Brazilian anthology Solar Punk: Ecological and Fantastical Stories in a Sustainable World edited by Gerson Lodi-Ribeiro (2012, English translation 2018). Yet in this volume, which advertises itself as “envision[ing] hopeful futures and alternate histories,” I found utopian desires thwarted. Thus, this is a more downbeat feature than I had intended but one, I hope, with a positive call to action.

The stories in this volume do engage with alternative technologies, some in very creative ways, and some depict worlds that have solved or avoided some of our current socio-ecological problems. I loved the stories that gave a strong voice to indigenous traditions. But of nine stories, only one, Roberta Spindler’s “Sun in the Heart,” seems to me to depict a social order that is not significantly unhealthy, and several stories are frankly dystopian. The societies presented are mostly mired in the typical problems: war, violence, overpopulation, resource scarcity, and politicking. The tone is perhaps best summed up by the title of the first story, Carlos Orsi’s “Soylent Green Is People!”

Now, as I’ve said, this is an early solar punk volume. As I continue to research solar punk, I have high hopes I will find a more utopian bent emerging. Nonetheless, this collection fits uncomfortably into the general state of worldbuilding in genre fiction today, which is to say, the nature of our ability to imagine the future.Read more... )
labingi: (Default)
Saw Anthony Hopkins' King Lear and recommend it. A very solid production. It was the first time I'd seen King Lear since my father died, probably the first time I'd seen it since his dementia began to be notable, and it hit me rather hard, not least because Hopkins looks quite a lot like my dad and his acting style is much like my dad's dramatic acting/reading style. I have loved King Lear since I was a kid. "My" King Lear will always be Olivier's, partly down to nostalgia, but I certainly feel it a different way having lived through the final stretch of my father's journey.
labingi: (Default)
Happy Downfall of Sauron Day! My mind is a bit scattered and has nothing profound to say, but at least I'm in the right place: at home in my home town as I try to be on March 25 if I can. It's been atypically blustery and wet but is still beautiful and quite pleasant weather for a walk. I think hobbits would approve.

As to the fire damage from October, the recovery is both fast and slow. The trees are beginning to leaf out--from their trunks, which looks really odd. We're still waiting to see which trees are actually dead; it can take a while for them to leaf. But Phegos lives! I was sure it was a gonner after seeing its hollowed out trunk this November. In fact, it has leafed out more vigorously than any other of our old oaks!
labingi: (Default)
I am saddened by the passing of Ursula Le Guin. It was her time. She was almost ninety and lived an amazing life, contributing immensely, but the world is poorer without her.

Of all my literary idols, she was the only one who wrote in my native language whose life overlapped with mine. Of them all from any language, she was the only one I've ever had the privilege of meeting—once, briefly, at a workshop. I saw her again when she presented at the 2007 ASLE Conference at the University of Oregon. I treasure both memories. I wrote her twice. She answered both letters, though I don't think, across almost twenty years, she remembered me from the first time. She said she would read my book (The Hour before Morning) if she got to it on her giant pile of books. I don't think she ever got to it. For the past couple of years, I have been accustoming myself to the idea of her passing, that I'd missed my chance to ever speak to her beyond that brief workshop intro. It's okay.

What she gave us is more than we could ever ask. It is enough. I'll miss her, but she's still here with me. But I'll miss her.
labingi: (Default)
Finally finished my music video on our home burning in the northern California fires this October. So before it--maybe--gets taken down over song licensing, here it is:

labingi: (r2dvd)
My partner put me on to this article on The Last Jedi defying expectations, and I'm going to pass along the recommendation. It's a good discussion of how The Last Jedi touches on some scary things in life and why this is good at the same it can be difficult to take.

For me, this article articulates something I've been feeling about this film, seeing it in my forties, at time when I feel somewhat battered by life myself and decidedly not young anymore. Now, I don't mean my life is particularly upsetting. I feel psychologically more sound than I did in my younger life. I just feel very aware of accumulated weights of life, whether that's measured in physical infirmity, flagging memory, shrinking time and hope for accomplishing goals/seeing social change, scars (and lessons) of various errors and emotional injuries, and a general sense that I've done half of it and the remaining half is starting to seem less and less important (on a cosmic sort of level). I'm younger than Luke and Leia, but I feel with them a lot. I feel for the younger guard too but am keenly aware I don't have their energy, even in a less superhero-esque mundane sense. The movie captures that difference very well. It's very true to both youth and age. I think it came at just the right time in my life, and that's probably one reason I'm liking it more and more the more I think about it.
labingi: (Default)
At my request, our tenant checked on our old tree, Senex. This photo is a little hard to interpret, even if you know the tree, but the trunk, which was largely old and rotten burned out completely.



Senex was an old tree and certainly in its declining years, but I am very saddened by its passing. It has always been there, ever since I can remember. I'm glad that several years ago, I developed the habit of saying goodbye to our named trees on the morning I'd leave from a visit. We had six of them throughout my childhood. We lost Howgie to the oak fungus a few years ago. In this fire, we have lost Quercus Frater and Senex. I am hopeful that Quercus Maxima, Drus, and Phagos [edit: Phegos, my bad] have survived. Even so, we've now lost three of six. I used to think I might see one or maybe two of the die in my lifetime. Now, I feel there's a real chance I'll see them all gone in the next few years. This is not normal. This is climate crisis.

Goodbye, Senex, my grandparent.
labingi: (Default)
Yep, my home town has been one of the casualties of the California fires, specifically the Sonoma County fires. As far as I have heard, everyone I know is safe and well.

We don't know yet if our house survived. It's way up a hill where they're not going to get video from emergency responders driving by, and the mandatory evacuation is still in effect, so the tenants can't go back to see. All in all, as the photos start to come in, the damage is not as bad as it was in my head. The plants are going to come back fast, which is a comfort.
labingi: (Default)
Over here in Oregon, we are bathed in ash and setting temperature records as fires rage in the Columbia Gorge, and I have soothed my sense of frustration a little by purchasing 150 tons in carbon offsets from Climate Neutral Now.

It is true offsets are not the best answer. Like geoengineering, they can make us feel like we're doing something when what we really need to do is reign in our own carbon emissions. But they do do something: these UN-vetted projects are not only reducing carbon emissions but helping create jobs, education, and healthier local environments in the developing world.

As opposed to REDD+, which has been widely accused of exploiting indigenous populations in the name of industry offsets, Climate Neutral Now favors local projects that return benefits to the local ecology/economy. I encourage folks to check it out.
labingi: (Default)
I’ve just written a critical—though, I hope, civil—letter to Rachel Maddow for her coverage of Hurricane Harvey, which, despite many interesting observations, was also twenty minutes of not mentioning climate change once:

https://www.youtube.com/watch?v=LFniLgJ_bj0

I wrote her, as opposed to everyone else who hasn’t been mentioning climate change, because I suspect she really cares. And I suspect she’s under orders from her superiors at MSNBC not to get into climate change. She’s one person who, I suspect, if she were to get a lot of letters noting this omission might take it seriously and might even speak to her superiors about it.

If anyone else feels like dropping her a line, here is the contact page for her show, with lots of options for getting in touch:

http://www.msnbc.com/rachel-maddow-show/send-it-rachel
labingi: (Default)
We stayed home (in Oregon) for the solar eclipse. We weren't in the zone of totality, but it was still pretty awesome. Once the kids were pried away from screens, they enjoyed it. I really enjoyed seeing the crescent shadows in the tree shadows. And we did have a cricket come out.
labingi: (Default)
I was just reading [personal profile] veleda_k's great post on gender in The Lego Movie and commenting on how I worry about how messages like this affect my kids, but it put me in mind of a more hopeful recent gender moment with my son.

I've been reading him The Lord of the Rings, and we came across some line (I don't remember exactly) like whoever has the Ring, it will corrupt "him":

Son: Who's "him"?

Me: Whoever gets the Ring, whoever possesses it.

Son: But it could be a woman.

Me: That's true, but this older English from a time when "he" meant any random person, including women.

(Son looks at me like both I and the world are insane.)

Me: One day I will show you the Blake's 7 episode where Avon uses "he" (actually "his") to refer to a group of one man and two women.

(Son looks even more dubious.)

(Mom's heart is profoundly encouraged.)
labingi: (inu)
I've been rereading Mirage 15, and there is much to love, but I'm going to zero in on Kagetora's thoughts about his own psyche, which capture so magnificently how the human mind works. (And with apologies, there will be some comparison to my own life by way of exemplifying the text's realism. Yes, God help me, my life is like Mirage of Blaze—sometimes.)

Spoilers up to volume 15…Read more... )
labingi: (Default)
Happy 4th of July in a year with little to recommend it for America. On such a 4th, here are some things I am grateful for about America:

* The US Constitution. It is clunky in some ways and arguably suffers from being so much the prototype of modern democracies and, thus, less polished than some systems that came later. It's the first concept album of Les Mis version of a modern democratic republic, but if we didn't have it, we would currently be living under a dictatorship--and we're not. So bless the Constitution.

* The American belief in freedom of speech, not only as enshrined in the First Amendment, but as a cultural assumption. Yes, it has been abridged at times. Yes, it is under assault now. And, yes, it is very often used to voice idiocy very loudly.

But I truly believe that Americans are so deeply culturally tied to expressing their own voices that true diversity of discourse would be hard to radically suppress. America will not soon be North Korea. That is, perhaps, my favorite American cultural characteristic, for all its downsides.

* The grassroots resistance. It's only just getting started, but it's getting started in a big way. The pendulum is swinging left, and the serious move to reclaim democracy from corporatocracy is beginning.

Profile

labingi: (Default)
labingi

June 2025

S M T W T F S
12 34567
89 1011121314
1516171819 20 21
22232425262728
2930     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 17th, 2025 01:44 am
Powered by Dreamwidth Studios