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  <id>tag:dreamwidth.org,2009-05-05:287423</id>
  <title>labingi</title>
  <subtitle>labingi</subtitle>
  <author>
    <name>labingi</name>
  </author>
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  <updated>2021-04-10T04:47:17Z</updated>
  <dw:journal username="labingi" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-05-05:287423:172056</id>
    <link rel="alternate" type="text/html" href="https://labingi.dreamwidth.org/172056.html"/>
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    <title>Self-Reflection (and Rant): My Wonder Woman vs. Discovery Responses</title>
    <published>2021-01-12T05:56:40Z</published>
    <updated>2021-04-10T04:47:17Z</updated>
    <category term="buffy"/>
    <category term="meta"/>
    <category term="star trek"/>
    <category term="wonder woman"/>
    <category term="politics"/>
    <dw:security>public</dw:security>
    <dw:reply-count>14</dw:reply-count>
    <content type="html">This is ramble (okay, rant) about why I may be responding as I am to &lt;i&gt;Wonder Woman: 1984&lt;/i&gt; (liked it okay) and &lt;i&gt;Discovery&lt;/i&gt;, especially S3 (kind of hate it). I am socially on the left but increasingly find my responses to pop culture out of step with some of the more prominent left-leaning responses. To wit, &lt;i&gt;Wonder Woman&lt;/i&gt; is being panned and most of the left-tube seems fairly strongly pro-&lt;i&gt;Discovery&lt;/i&gt;. So why am I out of step? Rambles and spoilers below. &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/172056.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=labingi&amp;ditemid=172056" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-05:287423:85164</id>
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    <title>Vampire Lit as a Challenge to Cultural Assumptions</title>
    <published>2012-03-23T07:37:50Z</published>
    <updated>2012-03-31T19:45:57Z</updated>
    <category term="buffy"/>
    <category term="literature"/>
    <category term="blood plus"/>
    <category term="meta"/>
    <category term="anne rice"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I like vampire lit for much the same reason I like science fiction: both change the premises of our life experience and, thus, challenge our usual cultural and psychological assumptions.  Vampire lit, in particular, lends itself to upending commonplaces about gender and family structure.  It's often been noted that vampire reproduction is inherently incestuous: vampires typically make new vampires through some sort of blood exchange that reads as both a parenting act and a sexual act, so parents and children are, almost by default, also lovers.  By the same token, vampire lit can, in one fell swoop, eliminate all physically based power differential between the sexes: in many tales, males and females have identical reproductive biologies and no sex-linked difference in physical strength (or if they do, it is much overshadowed by other differences, like age or "strength" of their blood, etc.).  Add in functional immortality and the politics of relating to humans as people and foodsource, and all this makes for fascinating reinventions of culture for those stories that choose to exploit this potential.  Some examples...&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/85164.html#cutid1"&gt;The Vampire Chronicles&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/85164.html#cutid2"&gt;Blood+&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/85164.html#cutid3"&gt;Buffy the Vampire Slayer&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/85164.html#cutid4"&gt;Twilight&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I don't believe that vampire lit is an exhausted field by any means; it simply requires creativity to keep reinventing itself.  And while I don't read vampire lit just for the sake of reading vampire lit, I am always open to being swept up in the next thought-provoking reinvention.&lt;br /&gt;&lt;br /&gt;(Thanks to &lt;span style='white-space: nowrap;'&gt;&lt;a href='http://meganinhiding.livejournal.com/profile'&gt;&lt;img src='https://www.dreamwidth.org/img/external/lj-userinfo.gif' alt='[livejournal.com profile] ' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' width='17' height='17'/&gt;&lt;/a&gt;&lt;a href='http://meganinhiding.livejournal.com/'&gt;&lt;b&gt;meganinhiding&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, whose vampire musings spurred me to stop putting off writing this post.)&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=labingi&amp;ditemid=85164" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-05:287423:80727</id>
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    <title>Quick Review of Fray</title>
    <published>2012-01-29T03:21:27Z</published>
    <updated>2012-01-29T03:21:27Z</updated>
    <category term="review"/>
    <category term="fray"/>
    <category term="buffy"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">When I first heard of &lt;i&gt;Fray&lt;/i&gt;, the futuristic Buffyverse graphic novel, I didn't seek it out because I didn't see the point of reading what sounded like a retread of &lt;i&gt;Buffy&lt;/i&gt; themes without the characters I'd come to care about.  In terms of my own experience as a reader, that judgment had some foundation.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Fray&lt;/i&gt; reads very much like season 1 of &lt;i&gt;Buffy&lt;/i&gt; set in a generic, mildly dystopian future (with a good handling of future slang!).  It's got all the trademarks of basic &lt;i&gt;Buffy&lt;/i&gt; executed well: a kickass Slayer, female bonding, an emphasis on friends/family/community as essential to heroic success, cute witticisms, and impending apocalypse.  I give it extra points for not needing to include romance.  It doesn't feel very original, but it does produce a Slayer whose life experience and main relationships are different from Buffy's, and its engagement with her family life is genuinely interesting and the novel's most original aspect.&lt;br /&gt;&lt;br /&gt;I think it overdoes the &lt;i&gt;Buffy&lt;/i&gt; trope of having a scene end and the next scene begin with a heavily ironic line that answers or contradicts the end of the previous scene.  Ex. from S6 of &lt;i&gt;Buffy&lt;/i&gt;:&lt;br /&gt;&lt;br /&gt;Buffy: Warren's not going to get away with this.&lt;br /&gt;&lt;br /&gt;CUT TO:&lt;br /&gt;&lt;br /&gt;Warren: We're going to get away with this.&lt;br /&gt;&lt;br /&gt;I like that trope; in fact, I'm guilty of emulating it, but it was a bit too much here.  But that's a niggle.&lt;br /&gt;&lt;br /&gt;I am very impressed by the art of &lt;i&gt;Fray&lt;/i&gt; (full color).  Almost every panel is a work of art.  By contrast, it highlights how hastily executed much graphic novel artwork is.&lt;br /&gt;&lt;br /&gt;All in all, it's a fast read with some fun bits and some good feminist messages and a bit of pathos and originality in character relationships and settings.  Lovely art.  I recommend it if you like &lt;i&gt;Buffy&lt;/i&gt;, but it also serves to illustrate that &lt;i&gt;Buffy&lt;/i&gt; has already been done.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=labingi&amp;ditemid=80727" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-05:287423:27890</id>
    <link rel="alternate" type="text/html" href="https://labingi.dreamwidth.org/27890.html"/>
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    <title>True Blood vs. Buffy in Depicting Death/Grief</title>
    <published>2010-10-10T03:42:17Z</published>
    <updated>2012-01-07T08:08:26Z</updated>
    <category term="meta"/>
    <category term="true blood"/>
    <category term="buffy"/>
    <dw:security>public</dw:security>
    <dw:reply-count>6</dw:reply-count>
    <content type="html">On the basis of several friends' recommendations, I have been watching &lt;i&gt;True Blood&lt;/i&gt; and have gotten up to just about episode 7 of season 1, which will be the frame for this commentary.  It is, of course, impossible to watch &lt;i&gt;True Blood&lt;/i&gt; without comparing it to &lt;i&gt;Buffy&lt;/i&gt;.  And with &lt;i&gt;Buffy&lt;/i&gt; swirling in my mind again for the first time in a few years, all I can say is "&lt;i&gt;Buffy.&lt;/i&gt;  Wow!"  It is a hard act to follow.  &lt;i&gt;True Blood&lt;/i&gt; is courageous to try, and it is a testament to the show's overall quality that it doesn't suffer too much in the comparison.  It also boasts some areas in which it exceeds &lt;i&gt;Buffy&lt;/i&gt;: a thoughtful depiction of race and attention to local culture immediately come to mind.  Sadly...&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/27890.html#cutid1"&gt;Spoilers Follow&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=labingi&amp;ditemid=27890" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-05:287423:1360</id>
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    <title>Soseki's Kokoro - Some Thoughts</title>
    <published>2009-05-17T05:47:28Z</published>
    <updated>2012-01-07T08:10:52Z</updated>
    <category term="kokoro"/>
    <category term="soseki"/>
    <category term="mirage of blaze"/>
    <category term="analysis"/>
    <category term="literature"/>
    <category term="buffy"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Thank you, Soseki Natsume-sensei for reminding me of what it's like to get lost in a really well-written book--and it feels like it's been a very long time. &lt;i&gt;&lt;a href="http://www.amazon.com/Kokoro-Dover-Books-Literature-Drama/dp/0486451399/ref=sr_1_2?ie=UTF8&amp;amp;s=books&amp;amp;qid=1242535826&amp;amp;sr=1-2"&gt;Kokoro&lt;/a&gt;&lt;/i&gt;, written in 1914, is a collection of three connected novellas, detailing the lives of a university student and a melancholy older man he assumes as a mentor.  The translator's (Edwin McClellan) preface tells us that the dominant theme is loneliness, and I guess I wouldn't disagree.  All three stories read as very real, very human, and fascinating depictions of the interplay between traditional Japanese culture and emerging western values in the late-nineteenth and early twentieth centuries.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://labingi.dreamwidth.org/1360.html#cutid1"&gt;Thoughts that actually don't have much in the way of spoilers&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=labingi&amp;ditemid=1360" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
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